第二百八十八篇Story Two Hundred and Eighty-Eight

点"对照"可以中英对照

金和尚

金和尚

Monk Jin

仿清末石印本的线描:白昼里乡间宅第的华丽前厅中,一个身穿绸缎宽袍的光头胖僧坐在雕花大椅上伸手发令,两个戴缨帽、穿革靴的仆从弯腰掩口侧耳听命,左边两个黑纱裹头的少年唱曲、一人手持拍板,背后是挂帘的内室螺钿雕床、屏风和香炉。

金和尚,諸城人。父無賴,以數百錢鬻于五蓮山寺。少頑鈍,不能肄清業,牧豬赴市,若傭保。後本師死,稍有遺金,捲懷離寺,作負販去。飲羊、登壟,計最工。數年暴富,買田宅於水坡里。弟子繁有徒,食指日千計。遶里膏田千百畝。里中起第數十處,皆僧無人;即有,亦貧無業,攜妻子,僦屋佃田者也。每一門內,四繚連屋,皆此輩列而居。僧舍其中:前有廳事,梁楹節梲,繪金碧,射人眼;堂上几屏,晶光可鑑;又其後為內寢,朱簾繡幙,蘭麝香充溢噴人;螺鈿雕檀為床,床上錦茵褥,褶疊厚尺有咫;壁上美人山水諸名跡,懸粘幾無隙處。一聲長呼,門外數十人,轟應如雷。細纓革靴者,皆烏集鵠立;受命皆揜口語,側耳以聽。客倉卒至,十餘筵可咄嗟辦,肥醴蒸薰,紛紛狼藉如霧霈。但不敢公然蓄歌妓;而狡童十數輩,皆慧黠能媚人,皂紗纏頭,唱豔曲,聽睹亦頗不惡。金若一出,前後數十騎,腰弓矢相摩戛。奴輩呼之皆以「爺」;即邑人之若民,或「祖」之,「伯、叔」之,不以「師」,不以「上人」,不以禪號也。其徒出,稍稍殺於金,而風鬃雲轡,亦略與貴公子等。金又廣結納,即千里外呼吸亦可通,以此挾方面短長,偶氣觸之,輒惕自懼。而其為人,鄙不文,頂趾無雅骨。生平不奉一經,持一咒,跡不履寺院,室中亦未嘗蓄鐃鼓;此等物,門人輩弗及見,並弗及聞。凡僦屋者,婦女浮麗如京都,脂澤金粉,皆取給於僧,僧亦不之靳,以故里中不田而農者以百數。時而惡佃決僧首瘞床下,亦不甚窮詰,但逐去之,其積習然也。金又買異姓兒,私子之。延儒師,教帖括業。兒聰慧能文,因令入邑庠;旋援例作太學生;未幾,赴北闈,領鄉薦。由是金之名以「太公」譟。向之「爺」之者「太」之,膝席者皆垂手執兒孫禮。無何,太公僧薨。孝廉縗絰臥苫塊,北面稱孤;諸門人釋杖滿床榻;而靈幃後嚶嚶細泣,惟孝廉夫人一而已。士大夫婦咸華妝來,搴幃弔唁,冠蓋輿馬塞道路。殯日,棚閣雲連,旛幢翳日。殉葬芻靈,飾以金帛;輿蓋儀仗數十事;馬千匹,美人百袂,皆如生。方弼、方相,以紙殼制巨人,皂帕金鎧;空中而橫以木架,納活人內負之行。設機轉動,鬚眉飛舞;目光鑠閃,如將叱吒;觀者驚怪,或小兒女遙望之,輒啼走。冥宅壯麗如宮闕,樓閣房廊連垣數十畝,千門萬戶,入者迷不可出。祭品象物,多難指名。會葬者蓋相摩,上自方面,皆傴僂入,起拜如朝儀;下至貢監簿史,則手據地以叩,不敢勞公子,勞諸師叔也。當是時,傾國瞻仰,男女喘汗屬於道;攜婦襁兒,呼兄覓妹者,聲鼎沸。雜以鼓樂喧豗,百戲鞺鞳,人語都不可聞。觀者自肩以下皆隱不見,惟萬頂攢動而已。有孕婦痛急欲產,諸女伴張裙為幄,羅守之;但聞兒啼,不暇問雌雄,斷幅繃懷中,或扶之,或曳之,蹩躠以去。奇觀哉!葬後,以金所遺貲產,瓜分而二之:子一,門人一。孝廉得半,而居第之南、之北、之西東,盡緇黨;然皆兄弟敘,痛癢猶相關云。

金和尚是諸城人。他的父親是個無賴,為了幾百文錢,把他賣到五蓮山寺。他小時候頑劣遲鈍,不能修習清淨的佛門功課,就放豬、趕集,幹著僱工一樣的活。後來,他的師父死了,留下一點錢,他把錢捲起揣在懷裡,離開寺院,去做挑貨販賣的生意。他最善於給待賣的羊灌水增重、設法獨佔市場利益一類的算計。幾年間,他驟然暴富,在水坡裡買下田地房屋。他收了大批弟子,每天供養的人數以千計,村子周圍千百畝肥田都是他的。他在村裡蓋了幾十處大宅,住的全是和尚,沒有普通人;即使有,也是些貧窮而沒有產業的人,帶著妻兒來租房、佃田過日子。每座宅院的大門裡面,四周房屋相連,這些人一戶挨一戶地住著。和尚住在中央,前面是廳堂,梁柱和柱上的構件都塗著金碧彩繪,耀人眼目;堂上的几案、屏風光亮得能照見人影。再往後是寢室,紅簾繡帳,蘭香麝香濃烈撲鼻。床用檀木雕成,鑲著螺鈿,床上的錦被褥墊摺疊堆起,厚度有一尺八寸。牆上掛著、貼著畫美人和山水的各種名家作品,幾乎沒有空處。他只要長聲一喊,門外幾十個人就轟然答應,聲如雷鳴。那些戴著細纓帽、穿著皮靴的人,一擁而來,整齊站立;領受吩咐時,說話都用手掩著嘴,側著耳朵聽。客人突然到來,轉眼就能擺出十幾桌宴席,肥美的肉、醇甜的酒、蒸煮熏製的菜餚,紛紛送來,滿桌堆得雜亂,像濃霧驟雨一般。他只是不敢公開養歌妓,卻養著十幾個俊俏少年,個個機靈狡黠,善於討人喜歡,頭上纏著黑紗,唱著豔情歌曲,聽起來、看起來也頗有趣。金和尚一齣門,前後總有幾十人騎馬跟隨,腰間的弓箭互相碰撞作響。奴僕們都叫他「爺」;就連縣裡的普通百姓,也有叫他「祖爺」、叫他「伯父」「叔父」的,不稱他「師父」,不稱他「上人」,也不用他的法號。他的弟子出門,排場比他稍小一些,可是那些駿馬飛馳、鬃毛飄動的氣派,也差不多和貴公子一樣。金和尚還廣泛結交各方人物,即使遠在千里之外,也能彼此聲息相通。他憑著這些關係,掌握地方大員的短處,拿來要挾;偶爾有誰惹他動怒,對方就惶恐不安。他本人粗俗無文,從頭到腳沒有一點斯文氣。他一輩子沒有奉持過一部經書,念過一道咒語,不踏進寺院,屋裡也從來沒有存放過鐃鼓。他的弟子們連這些東西都沒見過,也沒聽說過。那些租房住的人家,婦女穿戴得像京城女子一樣華麗,脂粉、髮油、金飾等都向和尚索取,和尚也不吝惜,因此村裡不下田卻靠種田過活的人,數以百計。有時兇惡的佃戶會砍下和尚的頭,埋在床下,也不會受到嚴加追查,不過被趕走了事。這已經成了當地積久的習慣。金和尚又買來一個異姓男孩,私下認作兒子,請來儒生做老師,教他應試文章。男孩聰明,會寫文章,金和尚便讓他進了邑庠;不久又援用成例,取得太學生資格。沒過多久,他到京城參加鄉試,考中了舉人。從此,金和尚就以「太公」的稱號出了名。從前叫他「爺」的人,如今改稱「太爺」;那些原先跪在席前的人,也都垂手侍立,按兒孫的禮數待他。不久,這位太公和尚死了。舉人披麻戴孝,睡在草蓆上,枕著土塊,朝北跪著,自稱孤子;弟子們放下的喪杖擺滿了床榻。可是靈帷後面低聲抽泣的女眷,只有舉人的妻子一人。士大夫家的夫人們都盛裝前來,掀開帷簾弔唁,車馬儀仗堵滿了道路。出殯那天,棚閣連綿如雲,旗幡遮住太陽。陪葬的草扎人像,用金飾和絲帛裝扮;紙紮的車轎、傘蓋、儀仗有幾十種,還有一千匹馬、一百個美人,全都栩栩如生。方弼、方相是用紙殼做成的巨人,戴著黑頭巾,穿著金甲;裡面是空的,橫著安上木架,讓活人鑽進去,揹著行走。又裝了機關,轉動起來,鬍鬚眉毛飛揚,眼睛閃閃發光,像要大聲怒喝。看的人又驚又奇,有些小孩子遠遠望見,就哭著跑開了。紙紮的冥宅壯麗得像宮殿,樓閣、房間、走廊和圍牆連成一片,佔地幾十畝,門戶重重,進去的人都會迷路,找不到出口。祭品和仿製的物件,許多都叫不出名字。來送葬的人,車蓋挨著車蓋;上至地方大員,都彎腰進去,起身跪拜,如同上朝行禮;下至貢生、監生和官府書吏,則雙手撐地叩頭,不敢勞動公子親自應酬,只請他的各位師叔接待。當時,整個地方的人都趕來觀看,男女老少喘著氣、流著汗,在路上接連不斷。帶著妻子、抱著嬰兒,叫哥哥、找妹妹的,聲音如開鍋一般沸騰;再混著鼓樂的喧鬧、各種雜技表演的響聲,連人說話都聽不清。圍觀的人肩膀以下全被遮住,只看見無數顆腦袋擠在一起晃動。有個孕婦忽然陣痛,急著要生產,同行的女伴就張開裙子圍成帳幕,守在周圍。只聽見嬰兒哭聲,也顧不上問是男是女,便撕下布條,把孩子包好抱在懷裡,有的攙扶,有的拖拽,艱難地走了出去。真是一場奇觀!下葬後,金和尚留下的財產被分成兩半,兒子一半,弟子們一半。舉人得了一半產業,可他的住宅四面住的全是和尚。不過,大家都以兄弟相稱,據說彼此的苦樂仍然息息相關。

金和尚,诸城人。父无赖,以数百钱鬻于五莲山寺。少顽钝,不能肄清业,牧猪赴市,若佣保。后本师死,稍有遗金,卷怀离寺,作负贩去。饮羊、登垄,计最工。数年暴富,买田宅于水坡里。弟子繁有徒,食指日千计。绕里膏田千百亩。里中起第数十处,皆僧无人;即有,亦贫无业,携妻子,僦屋佃田者也。每一门内,四缭连屋,皆此辈列而居。僧舍其中:前有厅事,梁楹节棁,绘金碧,射人眼;堂上几屏,晶光可鉴;又其后为内寝,朱帘绣幙,兰麝香充溢喷人;螺钿雕檀为床,床上锦茵褥,褶叠厚尺有咫;壁上美人山水诸名迹,悬粘几无隙处。一声长呼,门外数十人,轰应如雷。细缨革靴者,皆乌集鹄立;受命皆揜口语,侧耳以听。客仓卒至,十余筵可咄嗟办,肥醴蒸薰,纷纷狼藉如雾霈。但不敢公然蓄歌妓;而狡童十数辈,皆慧黠能媚人,皂纱缠头,唱艳曲,听睹亦颇不恶。金若一出,前后数十骑,腰弓矢相摩戛。奴辈呼之皆以「爷」;即邑人之若民,或「祖」之,「伯、叔」之,不以「师」,不以「上人」,不以禅号也。其徒出,稍稍杀于金,而风鬃云辔,亦略与贵公子等。金又广结纳,即千里外呼吸亦可通,以此挟方面短长,偶气触之,辄惕自惧。而其为人,鄙不文,顶趾无雅骨。生平不奉一经,持一咒,迹不履寺院,室中亦未尝蓄铙鼓;此等物,门人辈弗及见,并弗及闻。凡僦屋者,妇女浮丽如京都,脂泽金粉,皆取给于僧,僧亦不之靳,以故里中不田而农者以百数。时而恶佃决僧首瘗床下,亦不甚穷诘,但逐去之,其积习然也。金又买异姓儿,私子之。延儒师,教帖括业。儿聪慧能文,因令入邑庠;旋援例作太学生;未几,赴北闱,领乡荐。由是金之名以「太公」噪。向之「爷」之者「太」之,膝席者皆垂手执儿孙礼。无何,太公僧薨。孝廉缞绖卧苫块,北面称孤;诸门人释杖满床榻;而灵帏后嘤嘤细泣,惟孝廉夫人一而已。士大夫妇咸华妆来,搴帏吊唁,冠盖舆马塞道路。殡日,棚阁云连,旛幢翳日。殉葬刍灵,饰以金帛;舆盖仪仗数十事;马千匹,美人百袂,皆如生。方弼、方相,以纸壳制巨人,皂帕金铠;空中而横以木架,纳活人内负之行。设机转动,须眉飞舞;目光铄闪,如将叱咤;观者惊怪,或小儿女遥望之,辄啼走。冥宅壮丽如宫阙,楼阁房廊连垣数十亩,千门万户,入者迷不可出。祭品象物,多难指名。会葬者盖相摩,上自方面,皆伛偻入,起拜如朝仪;下至贡监簿史,则手据地以叩,不敢劳公子,劳诸师叔也。当是时,倾国瞻仰,男女喘汗属于道;携妇襁儿,呼兄觅妹者,声鼎沸。杂以鼓乐喧豗,百戏鞺鞳,人语都不可闻。观者自肩以下皆隐不见,惟万顶攒动而已。有孕妇痛急欲产,诸女伴张裙为幄,罗守之;但闻儿啼,不暇问雌雄,断幅绷怀中,或扶之,或曳之,蹩躠以去。奇观哉!葬后,以金所遗赀产,瓜分而二之:子一,门人一。孝廉得半,而居第之南、之北、之西东,尽缁党;然皆兄弟叙,痛痒犹相关云。

金和尚是诸城人。他的父亲是个无赖,为了几百文钱,把他卖到五莲山寺。他小时候顽劣迟钝,不能修习清净的佛门功课,就放猪、赶集,干着雇工一样的活。后来,他的师父死了,留下一点钱,他把钱卷起揣在怀里,离开寺院,去做挑货贩卖的生意。他最善于给待卖的羊灌水增重、设法独占市场利益一类的算计。几年间,他骤然暴富,在水坡里买下田地房屋。他收了大批弟子,每天供养的人数以千计,村子周围千百亩肥田都是他的。他在村里盖了几十处大宅,住的全是和尚,没有普通人;即使有,也是些贫穷而没有产业的人,带着妻儿来租房、佃田过日子。每座宅院的大门里面,四周房屋相连,这些人一户挨一户地住着。和尚住在中央,前面是厅堂,梁柱和柱上的构件都涂着金碧彩绘,耀人眼目;堂上的几案、屏风光亮得能照见人影。再往后是寝室,红帘绣帐,兰香麝香浓烈扑鼻。床用檀木雕成,镶着螺钿,床上的锦被褥垫折叠堆起,厚度有一尺八寸。墙上挂着、贴着画美人和山水的各种名家作品,几乎没有空处。他只要长声一喊,门外几十个人就轰然答应,声如雷鸣。那些戴着细缨帽、穿着皮靴的人,一拥而来,整齐站立;领受吩咐时,说话都用手掩着嘴,侧着耳朵听。客人突然到来,转眼就能摆出十几桌宴席,肥美的肉、醇甜的酒、蒸煮熏制的菜肴,纷纷送来,满桌堆得杂乱,像浓雾骤雨一般。他只是不敢公开养歌妓,却养着十几个俊俏少年,个个机灵狡黠,善于讨人喜欢,头上缠着黑纱,唱着艳情歌曲,听起来、看起来也颇有趣。金和尚一出门,前后总有几十人骑马跟随,腰间的弓箭互相碰撞作响。奴仆们都叫他“爷”;就连县里的普通百姓,也有叫他“祖爷”、叫他“伯父”“叔父”的,不称他“师父”,不称他“上人”,也不用他的法号。他的弟子出门,排场比他稍小一些,可是那些骏马飞驰、鬃毛飘动的气派,也差不多和贵公子一样。金和尚还广泛结交各方人物,即使远在千里之外,也能彼此声息相通。他凭着这些关系,掌握地方大员的短处,拿来要挟;偶尔有谁惹他动怒,对方就惶恐不安。他本人粗俗无文,从头到脚没有一点斯文气。他一辈子没有奉持过一部经书,念过一道咒语,不踏进寺院,屋里也从来没有存放过铙鼓。他的弟子们连这些东西都没见过,也没听说过。那些租房住的人家,妇女穿戴得像京城女子一样华丽,脂粉、发油、金饰等都向和尚索取,和尚也不吝惜,因此村里不下田却靠种田过活的人,数以百计。有时凶恶的佃户会砍下和尚的头,埋在床下,也不会受到严加追查,不过被赶走了事。这已经成了当地积久的习惯。金和尚又买来一个异姓男孩,私下认作儿子,请来儒生做老师,教他应试文章。男孩聪明,会写文章,金和尚便让他进了邑庠;不久又援用成例,取得太学生资格。没过多久,他到京城参加乡试,考中了举人。从此,金和尚就以“太公”的称号出了名。从前叫他“爷”的人,如今改称“太爷”;那些原先跪在席前的人,也都垂手侍立,按儿孙的礼数待他。不久,这位太公和尚死了。举人披麻戴孝,睡在草席上,枕着土块,朝北跪着,自称孤子;弟子们放下的丧杖摆满了床榻。可是灵帷后面低声抽泣的女眷,只有举人的妻子一人。士大夫家的夫人们都盛装前来,掀开帷帘吊唁,车马仪仗堵满了道路。出殡那天,棚阁连绵如云,旗幡遮住太阳。陪葬的草扎人像,用金饰和丝帛装扮;纸扎的车轿、伞盖、仪仗有几十种,还有一千匹马、一百个美人,全都栩栩如生。方弼、方相是用纸壳做成的巨人,戴着黑头巾,穿着金甲;里面是空的,横着安上木架,让活人钻进去,背着行走。又装了机关,转动起来,胡须眉毛飞扬,眼睛闪闪发光,像要大声怒喝。看的人又惊又奇,有些小孩子远远望见,就哭着跑开了。纸扎的冥宅壮丽得像宫殿,楼阁、房间、走廊和围墙连成一片,占地几十亩,门户重重,进去的人都会迷路,找不到出口。祭品和仿制的物件,许多都叫不出名字。来送葬的人,车盖挨着车盖;上至地方大员,都弯腰进去,起身跪拜,如同上朝行礼;下至贡生、监生和官府书吏,则双手撑地叩头,不敢劳动公子亲自应酬,只请他的各位师叔接待。当时,整个地方的人都赶来观看,男女老少喘着气、流着汗,在路上接连不断。带着妻子、抱着婴儿,叫哥哥、找妹妹的,声音如开锅一般沸腾;再混着鼓乐的喧闹、各种杂技表演的响声,连人说话都听不清。围观的人肩膀以下全被遮住,只看见无数颗脑袋挤在一起晃动。有个孕妇忽然阵痛,急着要生产,同行的女伴就张开裙子围成帐幕,守在周围。只听见婴儿哭声,也顾不上问是男是女,便撕下布条,把孩子包好抱在怀里,有的搀扶,有的拖拽,艰难地走了出去。真是一场奇观!下葬后,金和尚留下的财产被分成两半,儿子一半,弟子们一半。举人得了一半产业,可他的住宅四面住的全是和尚。不过,大家都以兄弟相称,据说彼此的苦乐仍然息息相关。

Monk Jin was a native of Zhucheng. His father was a scoundrel who sold him for a few hundred cash to the temple on Mount Wulian. As a boy Jin was stubborn and dull and could not take to the pure work of a monk. He herded pigs and went to market like a hired hand. Later his master died and left a little money. Jin rolled it up in his robe, left the temple and went off to be a peddler. At watering the sheep before the sale and climbing the high ground to corner the market, no one schemed better. Within a few years he was suddenly rich, and he bought land and houses in Shuipo village. His disciples were legion; the mouths he fed each day ran into the thousands. Around the village he owned hundreds upon hundreds of mu of rich fields. In the village he built dozens of mansions, all full of monks and no laymen; or if there were any, they were poor men with nothing of their own, who had brought their wives and children to rent his houses and farm his fields. Inside each gate, buildings ran unbroken round all four sides, and these people lived in them in rows. The monks lodged in the middle. In front was a hall whose beams and pillars, brackets and posts were painted in gold and blue-green that dazzled the eye; the tables and screens in it shone bright enough to see your face in. Behind that were the inner chambers, with red blinds and embroidered hangings, and the scent of orchid and musk so thick it gushed out at you. The bed was of carved sandalwood inlaid with mother-of-pearl, and the brocade quilts and mattresses on it were folded and piled more than a foot and a half thick. On the walls, famous paintings of beauties and landscapes were hung and pasted so close there was hardly a gap. At one long shout, dozens of men outside the gate answered with a roar like thunder. Men in fine-tasselled caps and leather boots flocked like crows and stood like herons; when they took his orders, they covered their mouths to speak and cocked their ears to listen. If guests arrived without warning, a dozen banquets could be laid in a breath, rich meats and sweet wine, steaming and fragrant, heaped up in confusion like a driving mist. Only he did not dare keep singing girls openly. But he had a dozen or more pretty boys, all clever and sly and skilled at pleasing, their heads wrapped in black gauze, who sang love songs and were not at all bad to see or hear. Whenever Jin went out, dozens of horsemen rode before and behind him, the bows and arrows at their waists clattering together. His servants all called him “Master.” Even the people of the county and the common folk called him “Grandfather” or “Uncle” — never “Teacher,” never “Reverend,” never by his name in religion. When his disciples went out they had somewhat less pomp than Jin, but with their wind-blown manes and cloud-like bridles they were much the same as the sons of great families. Jin also made friends far and wide, so that even a thousand li away his every breath could be felt. With this he held the faults of provincial officials over them; if his temper so much as brushed one of them, the man would shake with fear. As a man he was vulgar and unlettered, without a refined bone from his crown to his toes. In all his life he never kept a single sutra or recited a single spell. He never set foot in a temple, and never kept cymbals or drums in his rooms. His followers had never seen such things, nor even heard of them. As for those who rented his houses, their women were as gaudy as women in the capital, and their rouge and hair oil, their gold and powder, all came from the monks. The monks did not grudge it, and so there were hundreds of men in the village who were farmers without farming. Now and then some bad tenant would cut off a monk’s head and bury it under the bed. Even then there was no close inquiry; the man was only driven out. Such was the long-standing custom. Jin also bought a boy of another surname and privately made him his son. He hired a Confucian tutor to teach the boy the examination essay. The boy was clever and wrote well, so Jin had him enter the county school. Soon after, under the regulations, he became a student of the Imperial Academy, and before long he went to the provincial examination in the capital and passed. From then on Jin was famous as “the Old Master.” Those who had called him “Master” now called him “Old Master,” and those who had knelt on the mat before him now stood with their hands at their sides and behaved like sons and grandsons. Before long the Old Master monk departed this life. The provincial graduate, in sackcloth and hempen bands, lay on straw with a clod for a pillow, faced north and called himself the orphan. The disciples’ mourning staffs, laid aside, covered the couches and beds. But behind the curtain before the coffin, the only soft weeping came from one person: the graduate’s wife. The wives of the gentry all came in their finery and lifted the curtain to offer condolences; caps and canopies, carriages and horses blocked the roads. On the day of the funeral, mat sheds and pavilions stretched like banks of cloud, and banners and streamers blotted out the sun. The straw figures to be buried with him were decked in gold and silk: dozens of sedan chairs, canopies and processional insignia, a thousand horses, a hundred beauties with flowing sleeves, all as if alive. There were Fang Bi and Fang Xiang, giants of paper shell in black kerchiefs and gold armour, hollow inside and braced with wooden crossbars, each with a live man inside carrying it along. Machinery inside turned so that their beards and eyebrows flew and danced and their eyes flashed as though they were about to roar. The onlookers were astonished, and small children who saw them from a distance ran off crying. The mansion for the underworld was as splendid as a palace: towers, halls, rooms and galleries walled in over dozens of mu, with a thousand gates and ten thousand doors, so that those who went in lost their way and could not get out. The offerings and effigies were mostly past naming. The mourners came canopy rubbing canopy. From the provincial officials on down, all came in bowing low, and rose and knelt as at a court audience. Those lower down — tribute students and Academy students, clerks and scribes — pressed their hands to the ground and knocked their heads, not daring to trouble the young master; they troubled his uncles in the faith instead. At that time the whole region turned out to gaze, and men and women, panting and sweating, filled the roads in an unbroken line. People with wives in tow and babies in swaddling called for brothers and hunted for sisters, and the noise boiled like a cauldron; mixed with the din of drums and music and the clang of a hundred shows, not a word anyone said could be heard. Of the onlookers nothing could be seen below the shoulders, only ten thousand heads jostling. A pregnant woman went into labour. Her women friends spread out their skirts as a tent and stood guard round her. They heard a baby cry. With no time to ask whether it was a boy or a girl, they tore off a strip of cloth and bound it to her breast, and some propping her up, some pulling her along, they hobbled away. What a spectacle! After the burial, the property Jin left was split like a melon in two: one half to the son, one half to the disciples. The provincial graduate got half, and to the south and north, east and west of his house, there was nothing but black-robed monks. But they all called each other brothers, and still shared each other’s aches and itches, so it is said.

阅读设置

字号
主题
白话

界面语言

简体中文